Draws sequences of panels that plan the shots, staging and action of films, animated shows, commercials and games. BLS does not publish separate figures for special effects artists and animators; it counts them within special effects artist and animator (SOC 27-1014), whose median pay is $102,030 a year (BLS OEWS, May 2025). Typical entry-level education: Bachelor's degree.
- SOC 27-1014
- Arts, Design, Entertainment, Sports, and Media
- Last updated October 9, 2026
At a glance
Storyboard Artist in four numbers
- Median pay
- $102,030a year, or $49.06/hrBLS OEWS, May 2025Lowest 10% $59KTop 10% $177K
US median, all jobs: $50,980
- Projected growth
- -0.3%DecliningBLS EP, 2025–2035This career−0.3%All jobs+3.5%
Projected employment change, 2025–2035 Item Value This career −0.3% All jobs +3.5% - Openings a year
- 4,20051,900 jobs todayBLS EP, 2025–2035
- Jobs in 202551.9K
- Projected 203551.8K
Employment, 2025–2035 Item Value Jobs in 2025 51.9K Projected 2035 51.8K - Typical education
- Bachelor'sneeded to enterBLS EP, 2025–2035; mix: O*NET
- Less than high school0.1%
- High school5.4%
- Some college39.7%
- Associate's1.7%
- Bachelor's52.8%
- Master's0.3%
Highest education held by special effects artists and animators Segment Value Less than high school 0.1% High school 5.4% Some college 39.7% Associate's 1.7% Bachelor's 52.8% Master's 0.3%
Also advertised as: Storyboard Revisionist, Story Artist, Board Artist, Storyboard Illustrator, Story Supervisor.
Pay
How much do Special Effects Artists and Animators make?
Every storyboard artist in the US, by percentile of annual wage
Median
$102,030
Middle half earn $75,490 to $139,130
- 10th
- $58,600
- 25th
- $75,490
- 75th
- $139,130
- 90th
- $177,110
All US occupations: $50,980
| Percentile | Value |
|---|---|
| 10th | $58,600 |
| 25th | $75,490 |
| Median | $102,030 |
| 75th | $139,130 |
| 90th | $177,110 |
| All US occupations | $50,980 |
Source: BLS OEWS, May 2025
- Median annual wage
- $102,030
- Median hourly wage
- $49.06/hr
- Mean annual wage
- $112,870
- People employed
- 19,970
Versus all US occupations
At $102,030, Special Effects Artists and Animators earn 100% above the $50,980 median across all US occupations, a difference of $51,050 a year.
Versus arts, design, entertainment, sports, and media occupations
Inside the Arts, Design, Entertainment, Sports, and Media group, where the middle occupation pays $68,060, this is 50% above the group median.
Pay range
The top 10% earn $177,110 or more while the bottom 10% earn $58,600, a gap of 3.0×. That is an unusually wide spread, which usually tracks specialisation, employer type and years of experience.
Rank in the bank
This median pays more than 74% of the 1,741 occupations in the NueCareer career bank.
Highest-paying state
Washington pays the most at $133,480, and still leads at $124,733 once local prices are taken into account.
Pay by state
Which states pay Special Effects Artists and Animators the most?
State medians come from the same OEWS release as the national figures. The cost-of-living column divides each state median by that state's BEA Regional Price Parity, restating pay in national-average dollars so a high-cost state and a low-cost one can be compared directly.
| State | Median | COL-adjusted | Employed |
|---|---|---|---|
| 1Washington | $133,480 | $124,733 | 1,130 |
| 2California | $130,540 | $117,901 | 7,410 |
| 3Nevada | $97,350 | $97,370 | 370 |
| 4New York | $96,770 | $89,667 | 1,540 |
| 5Colorado | $91,290 | $88,586 | 210 |
| 6Arizona | $89,650 | $89,047 | 190 |
| 7North Carolina | $88,350 | $93,665 | 370 |
| 8Utah | $88,210 | $89,224 | 320 |
| 9Michigan | $86,630 | $90,036 | 230 |
| 10Florida | $85,870 | $83,035 | 1,530 |
Job outlook
Is Storyboard Artist a growing career?
Employment change over 2025–2035, against every US occupation
Declining. -0.3% projected growth vs 3.5% for all occupations.
| Item | Value |
|---|---|
| Special Effects Artists and Animators | −0.3% |
| All US occupations | +3.5% |
Source: BLS EP, 2025–2035
Declining
BLS projects employment of Special Effects Artists and Animators to change -0.3% over 2025–2035, while total US employment is projected to rise 3.5%. That is 100 fewer jobs.
Annual openings
About 4,200 openings are projected each year, 8.1% of the 51,900 jobs that existed in 2025. Most come from workers leaving the occupation, not from growth alone.
Getting in
How to become a Storyboard Artist
Most storyboard artists study animation, illustration or film at art schools, and a portfolio showing clear cinematic storytelling matters far more than polish. Strong drawing of figures in perspective, an understanding of camera language and fast turnaround are essential.
Many animators start as storyboard revisionists, cleaning up and fixing boards, before getting full sequences. The Animation Guild (IATSE Local 839) represents storyboard artists at many Los Angeles animation studios and runs portfolio and skills events. Some studios offer story trainee programs for promising newcomers.
- 1
Typical entry-level education
Bachelor's degree
- 2
Work experience in a related occupation
None
- 3
Typical on-the-job training
None
- 4
Preparation needed (O*NET job zone)
Medium preparation
BLS Employment Projections, 2025–2035; job zone from O*NET 31.0 Database.
What education people in the job have
O*NET incumbent survey: the highest level of education reported by people already working as special effects artists and animators.
- Bachelor's Degree52.8%
- Some College Courses39.7%
- High School Diploma or the equivalent (such as a GED)5.4%
- Associate's Degree or other 2-year degree1.7%
- Master's Degree0.3%
| Item | Value |
|---|---|
| Bachelor's Degree | 52.8% |
| Some College Courses | 39.7% |
| High School Diploma or the equivalent (such as a GED) | 5.4% |
| Associate's Degree or other 2-year degree | 1.7% |
| Master's Degree | 0.3% |
Source: O*NET 31.0 Database
The work
What does a Storyboard Artist do?
Storyboard artists translate a script into a visual plan. Shot by shot, they draw framing, camera moves, character poses and action so the director and crew can see how a scene will play before money is spent filming or animating it.
In animation, story artists often shape the comedy and acting of a sequence and pitch their boards to the director, then cut them into animatics with temporary dialogue and sound. In live action, they work with the director and cinematographer to plan stunts, effects shots and complex sequences, and in advertising they board commercials for client approval. Tools such as Toon Boom Storyboard Pro and Photoshop have largely replaced paper.
Day-to-day tasks
- Read scripts and break scenes into individual shots
- Draw panels showing framing, staging and camera movement
- Pitch sequences to directors and story teams
- Revise boards based on director and producer notes
- Assemble animatics with timing, dialogue and temporary sound
- Plan action, stunt and effects sequences for live-action shoots
- Keep characters on model and consistent across a sequence
Typical tasks, researched by NueCareer from the sources below.
Working conditions and hours
Storyboard artists work in animation studios, production offices or from home, mostly at a drawing tablet. Animated series run on weekly episode schedules, and live-action boarding is often freelance and short-term. Pitching boards in front of directors is a regular part of the job.
Where the work happens
Indoors, climate-controlled
NeverEvery dayOutdoors in all weather
NeverEvery day
Physical demands
Sitting
NeverAlmost all the timeSeated for more than half the working day.
Standing
NeverAlmost all the timeBending or twisting
NeverAlmost all the time
Working with people
Contact with other people
NoneConstantFace-to-face discussions
NeverEvery dayFace-to-face discussions every day.
Dealing with the public
Not importantExtremely important
Pressure and stakes
Strict deadlines
NeverEvery dayMeeting strict deadlines at least weekly.
Conflict situations
NeverEvery dayCost of a mistake
Not seriousExtremely serious
Autonomy
Freedom to decide
NoneA lotA lot of freedom to make decisions without checking first.
Conditions: O*NET Work Context survey. Each item has its own scale, so each dot is read against the two answers that end its own line.
Core skills
O*NET importance, 1 to 5
- Active Listening3.9
- Reading Comprehension3.8
- Critical Thinking3.8
- Speaking3.3
- Writing3.1
- Active Learning3.1
- Monitoring3.0
- Learning Strategies2.9
| Item | Value |
|---|---|
| Active Listening | 3.9 |
| Reading Comprehension | 3.8 |
| Critical Thinking | 3.8 |
| Speaking | 3.3 |
| Writing | 3.1 |
| Active Learning | 3.1 |
| Monitoring | 3.0 |
| Learning Strategies | 2.9 |
Source: O*NET 31.0 Database
Transferable skills
O*NET importance, 1 to 5
- Judgment and Decision Making3.1
- Complex Problem Solving3.0
- Time Management3.0
- Social Perceptiveness2.9
- Coordination2.9
- Persuasion2.9
- Systems Analysis2.9
- Instructing2.8
| Item | Value |
|---|---|
| Judgment and Decision Making | 3.1 |
| Complex Problem Solving | 3.0 |
| Time Management | 3.0 |
| Social Perceptiveness | 2.9 |
| Coordination | 2.9 |
| Persuasion | 2.9 |
| Systems Analysis | 2.9 |
| Instructing | 2.8 |
Source: O*NET 31.0 Database
Tools and software
- Computer aided design CAD software · in demand
- Desktop publishing software · in demand
- Development environment software · in demand
- Document management software · in demand
- Enterprise application integration software · in demand
- Graphical user interface development software · in demand
- Graphics or photo imaging software · in demand
- Object or component oriented development software · in demand
- Office suite software · in demand
- Operating system software · in demand
- Presentation software · in demand
- Process mapping and design software · in demand
“In demand” marks an O*NET Employer-Based Hot Technology, software named in real job postings for this occupation.
Personality fit
What personality type suits a Storyboard Artist?
NueCareer estimate (Holland code AER) built on O*NET's Special Effects Artist and Animator profile, scored 1 to 7
| Axis | Storyboard Artist |
|---|---|
| Realistic | 4 |
| Investigative | 3 |
| Artistic | 7 |
| Social | 2 |
| Enterprising | 4 |
| Conventional | 3 |
Source: O*NET 31.0 Database
What the work is built around
Day to day this is work built around creating, designing and working without a fixed set of rules, combined with hands-on, practical work with tools, machines or the outdoors.
- Artistic7.0
- Realistic4.3
- Enterprising3.8
- Conventional3.1
- Investigative2.8
- Social2.2
Closest MBTI types
NueCareer fit scores: cosine similarity between each MBTI type's interest vector and this occupation's O*NET interest profile. Not a BLS or O*NET figure; the method is documented on our methodology page.
Explore further
Careers related to Storyboard Artist
O*NET related occupations
- Arts, Design, Entertainment, Sports, and Media
- Arts, Design, Entertainment, Sports, and Media
- Arts, Design, Entertainment, Sports, and Media
- Arts, Design, Entertainment, Sports, and Media
- Computer and Mathematical
- Arts, Design, Entertainment, Sports, and Media
More arts, design, entertainment, sports, and media careers
Median annual pay, with special effects artists and animators highlighted
- Art Director$114,850
- Storyboard Artist$102,030
- Technical Writer$90,390
- Editor$77,920
- Writer and Author$76,910
- Public Relations Specialist$74,750
- Interior Designer$67,190
- Graphic Designer$62,960
- Photographer$44,660
| Item | Value |
|---|---|
| Art Director | $114,850 |
| Storyboard Artist | $102,030 |
| Technical Writer | $90,390 |
| Editor | $77,920 |
| Writer and Author | $76,910 |
| Public Relations Specialist | $74,750 |
| Interior Designer | $67,190 |
| Graphic Designer | $62,960 |
| Photographer | $44,660 |
Source: BLS OEWS, May 2025
Lists Storyboard Artist appears on
Questions
Storyboard Artist: frequently asked questions
How much do Special Effects Artists and Animators make?
BLS does not publish a separate wage for special effects artists and animators. It counts them within special effects artist and animator, whose median pay is $102,030 a year (BLS OEWS, May 2025). The middle half of that occupation earn between $75,490 and $139,130, and the top 10% earn $177,110 or more.
Do you need a degree to become a Storyboard Artist?
Yes. BLS reports a bachelor's degree as the typical entry-level education for Special Effects Artists and Animators, and O*NET rates the preparation needed as medium preparation. In O*NET's survey of people already doing the job, 52.8% hold bachelor's degree.
Is Storyboard Artist a growing career?
No. BLS projects employment to fall 0.3% over 2025–2035, a loss of 100 jobs (BLS EP, 2025–2035). BLS still projects about 4,200 openings a year, mostly from workers retiring or moving to other work.
What does a Storyboard Artist do?
Storyboard artists translate a script into a visual plan. A typical task: read scripts and break scenes into individual shots. Employers most often ask for Computer aided design CAD software, Desktop publishing software, Development environment software.
Which states pay Special Effects Artists and Animators the most?
The highest state medians for Special Effects Artists and Animators are Washington ($133,480), California ($130,540), Nevada ($97,350) (BLS OEWS, May 2025).
What personality type suits a Storyboard Artist?
O*NET scores Special Effects Artists and Animators highest on the Artistic, Realistic and Enterprising interest areas, so the work mixes creating, designing and working without a fixed set of rules with hands-on, practical work with tools, machines or the outdoors. On NueCareer's MBTI-to-interest mapping the closest types are INFP, INTP. Personality is a fit signal, not a gate. The free NueCareer quiz scores your own profile against all 1,731 careers in the bank.