Arts, Design, Entertainment, Sports, and Media

Producer and Director Salary (2026), outlook and how to become one

Produce or direct stage, television, radio, video, or film productions for entertainment, information, or instruction.

Median pay
$90,360
Growth to 2035
+4.0%
Openings a year
12,100
Typical entry
Bachelor's

The median pay for Producers and Directors is $90,360 a year ($43.44/hr), according to BLS OEWS, May 2025. Employment is projected to grow 4.0% through 2035, with about 12,100 openings a year (BLS EP, 2025–2035). Typical entry-level education: Bachelor's degree.

  • SOC 27-2012
  • Arts, Design, Entertainment, Sports, and Media
  • Last updated October 15, 2026

At a glance

Producer and Director in four numbers

Median pay
$90,360a year, or $43.44/hr
Lowest 10% $46KTop 10% $199K

US median, all jobs: $50,980

BLS OEWS, May 2025
Projected growth
+4.0%About as fast as average
This career
+4%
All jobs
+3.5%
Projected employment change, 2025–2035
ItemValue
This career+4%
All jobs+3.5%
BLS EP, 2025–2035
Openings a year
12,100181,000 jobs today
  • Jobs in 2025181K
  • Projected 2035188.3K
Employment, 2025–2035
ItemValue
Jobs in 2025181K
Projected 2035188.3K
BLS EP, 2025–2035
Typical education
Bachelor'sneeded to enter
  • High school15.2%
  • Certificate10.6%
  • Some college4.6%
  • Associate's12.9%
  • Bachelor's56.7%
Highest education held by producers and directors
SegmentValue
High school15.2%
Certificate10.6%
Some college4.6%
Associate's12.9%
Bachelor's56.7%
BLS EP, 2025–2035; mix: O*NET

Also advertised as: Artistic Director, Director, Executive Producer, Multimedia Producer, News Producer, Producer.

Pay

How much do producers and directors make?

Producers and Directors earn a median of $90,360 a year ($43.44 an hour, or about $7,530 a month); the lowest-paid 10% earn less than $45,780 and the top 10% more than $198,540 (BLS OEWS, May 2025).

The best-paying state is California, with a median of $129,790. See Producer and director salary in California and every other state. By city, pay is highest around Los Angeles ($159,390 average): salary in every city.

Annual pay, lowest-paid to highest-paid

Every producer and director in the US, by percentile of annual wage

Median

$90,360

Middle half earn $62,670 to $134,800

10th
$45,780
25th
$62,670
75th
$134,800
90th
$198,540

All US occupations: $50,980

Producer and Director annual wages
PercentileValue
10th$45,780
25th$62,670
Median$90,360
75th$134,800
90th$198,540
All US occupations$50,980

Source: BLS OEWS, May 2025

Median annual wage
$90,360
Median hourly wage
$43.44/hr
Mean annual wage
$113,300
People employed
143,120

Versus all US occupations

At $90,360, Producers and Directors earn 77% above the $50,980 median across all US occupations, a difference of $39,380 a year.

Versus arts, design, entertainment, sports, and media occupations

Inside the Arts, Design, Entertainment, Sports, and Media group, where the middle occupation pays $68,060, this is 33% above the group median.

Pay range

The top 10% earn $198,540 or more while the bottom 10% earn $45,780, a gap of 4.3×. That is an unusually wide spread, which usually tracks specialisation, employer type and years of experience.

Rank in the bank

This median pays more than 66% of the 1,741 occupations in the NueCareer career bank.

Highest-paying state

California pays the most at $129,790, and still leads at $117,224 once local prices are taken into account.

Pay by state

Which states pay producers and directors the most?

State medians come from the same OEWS release as the national figures. The cost-of-living column divides each state median by that state's BEA Regional Price Parity, restating pay in national-average dollars so a high-cost state and a low-cost one can be compared directly.

Top 10 states by median annual wage for Producers and Directors
StateMedianCOL-adjustedEmployed
1California$129,790$117,22434,110
2New Jersey$119,840$110,1422,970
3New York$107,550$99,65627,990
4District of Columbia$104,270$94,8762,640
5Connecticut$88,260$85,1852,200
6Oregon$87,460$84,6161,640
7Rhode Island$84,250$82,372560
8Washington$81,550$76,2062,270
9Illinois$81,080$81,1143,170
10Massachusetts$80,970$76,5623,440
See all 51 states, sortable, with cost-of-living adjustments

Job outlook

Is producer and director a growing career?

Projected change in jobs

Employment change over 2025–2035, against every US occupation

Producers and Directors
+4%
All US occupations
+3.5%

About as fast as average. +4.0% projected growth vs 3.5% for all occupations.

Projected employment change, 2025–2035
ItemValue
Producers and Directors+4%
All US occupations+3.5%

Source: BLS EP, 2025–2035

About as fast as average

BLS projects employment of Producers and Directors to change 4.0% over 2025–2035, against 3.5% projected for all occupations. That is 7,300 more jobs.

Annual openings

About 12,100 openings are projected each year, 6.7% of the 181,000 jobs that existed in 2025. Most come from workers leaving the occupation, not from growth alone.

Many of those openings are expected to result from the need to replace workers who transfer to different occupations or exit the labor force, such as to retire.

Demand for video advertising across platforms is projected to increase demand for these workers. Additionally, new TV shows and movies, especially on online and streaming platforms, are expected to continue to create some opportunities for producers and directors.

Demand for theater producers and directors will depend on funding availability. If there is a steady revenue stream, these workers may be in demand. However, opportunities for producers and directors may be limited in theaters with funding challenges.

AI exposure: high

BLS places this occupation in its high relative AI exposure category, above the middle of the pack: a substantial share of the work overlaps with what AI can do.

Will AI replace producers and directors? →

Getting in

How to become a producer and director

Producers and directors typically have a bachelor’s degree. They also typically need several years of experience working on set in film, TV, stage, or other productions in positions such as actors, cinematographers, or film and video editors or in related occupations, such as theater managers.

  1. 1

    Typical entry-level education

    Bachelor's degree

  2. 2

    Work experience in a related occupation

    Less than 5 years

  3. 3

    Typical on-the-job training

    None

  4. 4

    Preparation needed (O*NET job zone)

    Considerable preparation

BLS Employment Projections, 2025–2035; job zone from O*NET 31.0 Database.

What education people in the job have

O*NET incumbent survey: the highest level of education reported by people already working as producers and directors.

  • Bachelor's Degree56.7%
  • High School Diploma or the equivalent (such as a GED)15.2%
  • Associate's Degree or other 2-year degree12.9%
  • Post-Secondary Certificate10.6%
  • Some College Courses4.6%
Highest education held by producers and directors
ItemValue
Bachelor's Degree56.7%
High School Diploma or the equivalent (such as a GED)15.2%
Associate's Degree or other 2-year degree12.9%
Post-Secondary Certificate10.6%
Some College Courses4.6%

Source: O*NET 31.0 Database

Full BLS Occupational Outlook Handbook entry

The work

What does a producer and director do?

Produce or direct stage, television, radio, video, or film productions for entertainment, information, or instruction. Responsible for creative decisions, such as interpretation of script, choice of actors or guests, set design, sound, special effects, and choreography.

Producers and directors make business and creative decisions about, film, television, stage, and other productions. They interpret a writer’s script to entertain, inform, or instruct an audience.

Day-to-day tasks

  1. Research production topics using the internet, video archives, and other informational sources.
  2. Plan details such as framing, composition, camera movement, sound, and actor movement for each shot or scene.
  3. Study and research scripts to determine how they should be directed.
  4. Establish pace of programs and sequences of scenes according to time requirements and cast and set accessibility.
  5. Conduct meetings with staff to discuss production progress and to ensure production objectives are attained.
  6. Identify and approve equipment and elements required for productions, such as scenery, lights, props, costumes, choreography, and music.
  7. Direct live broadcasts, films and recordings, or non-broadcast programming for public entertainment or education.
  8. Review film, recordings, or rehearsals to ensure conformance to production and broadcast standards.

O*NET core tasks, ordered by reported importance.

Working conditions and hours

Workdays for producers and directors may be long and irregular. Many do not have a standard workweek, because their schedules may change with each assignment or project. Evening, weekend, and holiday work is common. Most producers and directors work full time, and some work more than 40 hours per week.

Where the work happens

  • Indoors, climate-controlled

    NeverEvery day
  • Outdoors in all weather

    NeverEvery day

Physical demands

  • Sitting

    NeverAlmost all the time

    Seated for more than half the working day.

  • Standing

    NeverAlmost all the time
  • Bending or twisting

    NeverAlmost all the time

Working with people

  • Contact with other people

    NoneConstant

    Constant contact with other people.

  • Face-to-face discussions

    NeverEvery day

    Face-to-face discussions every day.

  • Dealing with the public

    Not importantExtremely important

Pressure and stakes

  • Strict deadlines

    NeverEvery day

    Meeting strict deadlines at least weekly.

  • Conflict situations

    NeverEvery day
  • Cost of a mistake

    Not seriousExtremely serious

Autonomy

  • Freedom to decide

    NoneA lot

    A lot of freedom to make decisions without checking first.

Schedules: BLS Occupational Outlook Handbook, 2025–2035 edition. Conditions: O*NET Work Context survey. Each item has its own scale, so each dot is read against the two answers that end its own line.

Where producers and directors work

Share of jobs by employer type

  • Self-employed workers20%
  • Motion picture and video industries19%
  • Media streaming distribution services, social networks, and other media networks and content providers13%
  • Performing arts, spectator sports, and related industries9%
  • Television broadcasting stations7%
Largest employers of Producers and Directors
ItemValue
Self-employed workers20%
Motion picture and video industries19%
Media streaming distribution services, social networks, and other media networks and content providers13%
Performing arts, spectator sports, and related industries9%
Television broadcasting stations7%

Source: BLS Occupational Outlook Handbook, 2025–2035 edition

Core skills

O*NET importance, 1 to 5

  • Active Listening4.4
  • Reading Comprehension4.0
  • Speaking4.0
  • Critical Thinking4.0
  • Monitoring4.0
  • Writing3.8
  • Active Learning3.3
  • Learning Strategies3.1
Core skills for Producers and Directors
ItemValue
Active Listening4.4
Reading Comprehension4.0
Speaking4.0
Critical Thinking4.0
Monitoring4.0
Writing3.8
Active Learning3.3
Learning Strategies3.1

Source: O*NET 31.0 Database

Transferable skills

O*NET importance, 1 to 5

  • Social Perceptiveness3.9
  • Coordination3.9
  • Time Management3.6
  • Management of Personnel Resources3.6
  • Judgment and Decision Making3.5
  • Systems Analysis3.5
  • Complex Problem Solving3.4
  • Negotiation3.3
Transferable skills for Producers and Directors
ItemValue
Social Perceptiveness3.9
Coordination3.9
Time Management3.6
Management of Personnel Resources3.6
Judgment and Decision Making3.5
Systems Analysis3.5
Complex Problem Solving3.4
Negotiation3.3

Source: O*NET 31.0 Database

Tools and software

  • Cloud-based data access and sharing software · in demand
  • Content workflow software · in demand
  • Data base user interface and query software · in demand
  • Data mining software · in demand
  • Desktop publishing software · in demand
  • Document management software · in demand
  • Electronic mail software · in demand
  • Enterprise application integration software · in demand
  • Graphics or photo imaging software · in demand
  • Office suite software · in demand
  • Operating system software · in demand
  • Presentation software · in demand

“In demand” marks an O*NET Employer-Based Hot Technology, software named in real job postings for this occupation.

The workforce

Who works as a producer and director?

Women make up 43.6% of producers and directors, close to their 47.1% share of all employed people.

19.4% are 55 or older, close to the 23.2% across all jobs.

The median worker is 41.7 years old (all workers: 42.1).

Women
43.6%All workers 47.1% · BLS CPS, 2025
Median age
41.7All workers 42.1 · BLS CPS, 2025
Aged 55+
19.4%All workers 23.2% · BLS CPS, 2025
Employed (CPS)
216,000BLS CPS, 2025
Share of producers and directors by sex, race, ethnicity and age, against all employed people
GroupShare of producers and directorsAll employed people
Women
43.6%
47.1%
White
77.9%
75.7%
Black or African American
13.8%
12.7%
Asian
4.6%
7.5%
Hispanic or Latino (any race)
14.8%
20.0%
Aged 55 and over
19.4%
23.2%
Aged 16 to 24
3.7%
12.2%

Current Population Survey annual averages, 2025 (BLS tables 11 and 11b). Race groups can overlap with Hispanic or Latino ethnicity, so they do not sum to 100%.

Personality fit

What personality type suits a producer and director?

Interest profile

O*NET Occupational Interests (RIASEC), scored 1 to 7

Producer and Director · Realistic: 2Producer and Director · Investigative: 2Producer and Director · Artistic: 6Producer and Director · Social: 3Producer and Director · Enterprising: 6Producer and Director · Conventional: 4
Producer and Director interest profile
AxisProducer and Director
Realistic2
Investigative2
Artistic6
Social3
Enterprising6
Conventional4

Source: O*NET 31.0 Database

What the work is built around

Day to day this is work built around creating, designing and working without a fixed set of rules, combined with leading, persuading, selling and making decisions.

  • Artistic6.1
  • Enterprising5.8
  • Conventional3.6
  • Social3.1
  • Investigative2.2
  • Realistic2.1

Closest MBTI types

NueCareer fit scores: cosine similarity between each MBTI type's interest vector and this occupation's O*NET interest profile. Not a BLS or O*NET figure; the method is documented on our methodology page.

Questions

Producer and Director: frequently asked questions

How much do producers and directors make?

Producers and Directors earn a median of $90,360 a year (BLS OEWS, May 2025). That is 77% above the $50,980 median for all US occupations. That works out at $43.44/hr. The middle half earn between $62,670 and $134,800. The top 10% earn $198,540 or more.

How much do producers and directors make an hour?

The median hourly wage for producers and directors is $43.44 (BLS OEWS, May 2025). On a full-year basis the $90,360 annual median works out to about $7,530 a month before tax.

What is the starting salary for a producer and director?

BLS does not publish a starting salary. The nearest measure is the low end of the pay range: the lowest-paid 10% of producers and directors earn less than $45,780 a year and the bottom quarter less than $62,670 (BLS OEWS, May 2025). New workers often start near that end, but where a particular job starts depends on the employer, the state and the credentials you bring, so read these as the bottom of the range rather than a guaranteed entry wage.

Do producers and directors make $100k?

Some do. $100,000 sits between the median ($90,360) and the 75th percentile ($134,800), so roughly a quarter to a half of producers and directors earn more than that (BLS OEWS, May 2025). In 4 states the median itself is above $100,000: California ($129,790), New Jersey ($119,840), New York ($107,550), District of Columbia ($104,270).

Which states pay producers and directors the most?

The highest state medians for Producers and Directors are California ($129,790), New Jersey ($119,840), New York ($107,550) (BLS OEWS, May 2025).

What kind of producer and director earns the most?

BLS does not split producers and directors' pay by specialty or employer, but its range shows how far the top end runs: the highest-paid 10% earn more than $198,540, against a median of $90,360 (BLS OEWS, May 2025). Location moves pay the most in the published data: the best-paying states are California ($129,790), New Jersey ($119,840), New York ($107,550). BLS also counts 4 specialty careers inside this occupation (first assistant director, line producer, location manager, showrunner), which share its federal pay figures.

Do you need a degree to become a producer and director?

Yes. BLS reports a bachelor's degree as the typical entry-level education for Producers and Directors, and O*NET rates the preparation needed as considerable preparation. Employers typically expect less than 5 years of related work experience first. In O*NET's survey of people already doing the job, 56.7% hold bachelor's degree.

How long does it take to become a producer and director?

BLS does not publish a fixed length; it depends on the route. What it does publish: the typical way in for producers and directors is a bachelor's degree, plus less than 5 years of work experience in a related occupation. O*NET classes the work as needing considerable preparation.

Is producer and director a growing career?

It is stable rather than fast-growing: employment is projected to change 4.0% over 2025–2035, about the same as the 3.5% projected across all occupations (BLS EP, 2025–2035). BLS still projects about 12,100 openings a year, mostly from workers retiring or moving to other work.

What does a producer and director do?

Producers and directors make business and creative decisions about, film, television, stage, and other productions. A core O*NET task: research production topics using the internet, video archives, and other informational sources. Employers most often ask for Cloud-based data access and sharing software, Content workflow software, Data base user interface and query software.

Do producers and directors work 40 hours a week?

Most work more than 40. In O*NET's survey of people in the job, 76% of producers and directors usually work more than 40 hours a week, 13% work exactly 40 and 11% work fewer. 65% say their schedule is regular and 35% irregular. Source: O*NET 31.0 Database, Work Context.

What personality type suits a producer and director?

O*NET scores Producers and Directors highest on the Artistic, Enterprising and Conventional interest areas, so the work mixes creating, designing and working without a fixed set of rules with leading, persuading, selling and making decisions. On NueCareer's MBTI-to-interest mapping the closest types are ENFP, ENFJ. Personality is a fit signal, not a gate. The free NueCareer quiz scores your own profile against all 1,731 careers in the bank.

What percentage of producers and directors are women?

Women make up 43.6% of producers and directors, close to their 47.1% share of all employed people. 19.4% are 55 or older, close to the 23.2% across all jobs. The median worker is 41.7 years old (all workers: 42.1). Source: BLS Current Population Survey, 2025 annual averages.